Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 11.
Pàgina 15
... translation . The book , despite having gone through two printings , not very popular . There were several French editions available and another British edition that had been published in Scotland just weeks before the Fuseli translation ...
... translation . The book , despite having gone through two printings , not very popular . There were several French editions available and another British edition that had been published in Scotland just weeks before the Fuseli translation ...
Pàgina 38
... translated , all within a classical form . Bodmer , as he had interested Fuseli in Homer by his translation , also may have interested Fuseli in the Middle Ages through his translations of Parzifal ( 1753 ) and The Niebelungen ( 1757 ) ...
... translated , all within a classical form . Bodmer , as he had interested Fuseli in Homer by his translation , also may have interested Fuseli in the Middle Ages through his translations of Parzifal ( 1753 ) and The Niebelungen ( 1757 ) ...
Pàgina 50
... translation in 1732 , which Fuseli was certainly familiar with , " The critical appraisal of Milton's works in ... translator , a translator , of words into words and words into images and could read much in the original languages ...
... translation in 1732 , which Fuseli was certainly familiar with , " The critical appraisal of Milton's works in ... translator , a translator , of words into words and words into images and could read much in the original languages ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich