Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 9.
Pàgina 18
... society . Fuseli saw painting as the backing for the mirror , as invention rather than imagination . compared it with Newton's invention process , more by well - studied accident than Blake's intuitve approach . This was something Blake ...
... society . Fuseli saw painting as the backing for the mirror , as invention rather than imagination . compared it with Newton's invention process , more by well - studied accident than Blake's intuitve approach . This was something Blake ...
Pàgina 42
... society , rather than being common . But , like the relief , their features overlay , and this profile turn in space would not have been difficult for Fuseli to conceive , given his exercises in Rome . These figures are said to have ...
... society , rather than being common . But , like the relief , their features overlay , and this profile turn in space would not have been difficult for Fuseli to conceive , given his exercises in Rome . These figures are said to have ...
Pàgina 47
... society , some great maxim , without descending into those subdivisions which the detail , the elements with their own simplicity , height , depth , the vast , the grand , darkness , light , life , death , past , future , man , pity ...
... society , some great maxim , without descending into those subdivisions which the detail , the elements with their own simplicity , height , depth , the vast , the grand , darkness , light , life , death , past , future , man , pity ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich