Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 9.
Pàgina 15
... Sculpture of the Greeks . Winckelmann was , at the time , considered essential reading for any scholar in the antiquities . insisted that Greek sculpture is closer to an original purity of form His vision of an ideal nostalgic gleaning ...
... Sculpture of the Greeks . Winckelmann was , at the time , considered essential reading for any scholar in the antiquities . insisted that Greek sculpture is closer to an original purity of form His vision of an ideal nostalgic gleaning ...
Pàgina 19
... sculpture in one of his lectures at the Academy : · The prince , the priest , the father are visible , but absorbed in the man only to dignify the victim of of one great expression though poised by the artist , for us to apply the ...
... sculpture in one of his lectures at the Academy : · The prince , the priest , the father are visible , but absorbed in the man only to dignify the victim of of one great expression though poised by the artist , for us to apply the ...
Pàgina 41
... sculpture of three hooded deities ( fig . 54 ) . While these were not discovered until 1933 in Northumbria , there is the possibility that the mystery cult , whose work is represented , had other works similar in feeling survive in ...
... sculpture of three hooded deities ( fig . 54 ) . While these were not discovered until 1933 in Northumbria , there is the possibility that the mystery cult , whose work is represented , had other works similar in feeling survive in ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich