Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 1
... reference hindered the imagination . The friendship of Fuseli and Blake is documented as having been close for at least one year , but there are varied stories on how Blake Blake and Fuseli met . One such story is that Fuseli met Blake ...
... reference hindered the imagination . The friendship of Fuseli and Blake is documented as having been close for at least one year , but there are varied stories on how Blake Blake and Fuseli met . One such story is that Fuseli met Blake ...
Pàgina 41
... reference Shakespeare makes to painting through Lady Macbeth's line , " The childhood that fears a painted devil . In Gowing's view it is " a classic statement of the equation which was the basis of Fuseli's art , the equation between ...
... reference Shakespeare makes to painting through Lady Macbeth's line , " The childhood that fears a painted devil . In Gowing's view it is " a classic statement of the equation which was the basis of Fuseli's art , the equation between ...
Pàgina 51
... reference to the Cleopatra in in the Vatican Museum ( fig . 79 ) of which Fuseli did studies . Similar compositions such as Falsa ad Coleum ( ca.1790 ) Sleeping Woman with Cupid ( ca.1780-1790 ) ( fig . 80 ) also contain the reference ...
... reference to the Cleopatra in in the Vatican Museum ( fig . 79 ) of which Fuseli did studies . Similar compositions such as Falsa ad Coleum ( ca.1790 ) Sleeping Woman with Cupid ( ca.1780-1790 ) ( fig . 80 ) also contain the reference ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich