Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 22
... prints . It may have been in a search for prints in a book shop where he came across the Fuseli 104 Reflections . translation of Winckelmann's Blake's browsing for references lead him to He had a fondness for the artists of the High ...
... prints . It may have been in a search for prints in a book shop where he came across the Fuseli 104 Reflections . translation of Winckelmann's Blake's browsing for references lead him to He had a fondness for the artists of the High ...
Pàgina 23
... prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually rejected the " greatness " of Greek and Roman art , considering them copies copies of works stolen ...
... prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually rejected the " greatness " of Greek and Roman art , considering them copies copies of works stolen ...
Pàgina 27
... prints and from the original sketches of friends , including Flaxman and Fuseli . Most of the Renaissance prints Blake saw were Mannerist or Baroque copies , with a more flamboyant line than the original paintings . Fuseli and Blake had ...
... prints and from the original sketches of friends , including Flaxman and Fuseli . Most of the Renaissance prints Blake saw were Mannerist or Baroque copies , with a more flamboyant line than the original paintings . Fuseli and Blake had ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich