Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 2
... placed his knew . draughtmanship on the same level as that of Michelangelo , 1 11 whom they both admired . Fuseli and Blake's partnership was based on the ability of each to interpret the art of the other . David Irwin calls it a ...
... placed his knew . draughtmanship on the same level as that of Michelangelo , 1 11 whom they both admired . Fuseli and Blake's partnership was based on the ability of each to interpret the art of the other . David Irwin calls it a ...
Pàgina 31
... placed points indicating the position of head , hands and feet Inigo Jones travels in Italy yielded 148 · ( figs . 38a - c ) a similar set of studies , set of studies , in 1614 , copied from Martino Rota's after Michelangelo . Fuseli ...
... placed points indicating the position of head , hands and feet Inigo Jones travels in Italy yielded 148 · ( figs . 38a - c ) a similar set of studies , set of studies , in 1614 , copied from Martino Rota's after Michelangelo . Fuseli ...
Pàgina 48
... placed on strong opposing diagonals with Sin between . Blake's 222 work has the feeling of a classical frieze , staged quality of Fuseli's and the strong classical linear quality of Flaxman . Fuseli's depiction beside the Blake looks ...
... placed on strong opposing diagonals with Sin between . Blake's 222 work has the feeling of a classical frieze , staged quality of Fuseli's and the strong classical linear quality of Flaxman . Fuseli's depiction beside the Blake looks ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich