Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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... period Hume , Voltaire and Rousseau . Fuseli and Blake's similarities were possibly nothing more than the influence of the past on the period that all of their contemporaries , such as John Hamilton Mortimer , James Barry and John ...
... period Hume , Voltaire and Rousseau . Fuseli and Blake's similarities were possibly nothing more than the influence of the past on the period that all of their contemporaries , such as John Hamilton Mortimer , James Barry and John ...
Pàgina 17
... period and there was difficulty seeing the works in Athens because of the volatile Turkish government . It was presumed that the Elgin Marbles were Roman copies as most Greek works were known . Another problem was that the marbles were ...
... period and there was difficulty seeing the works in Athens because of the volatile Turkish government . It was presumed that the Elgin Marbles were Roman copies as most Greek works were known . Another problem was that the marbles were ...
Pàgina 27
... period . Fuseli and Blake were heavily influenced by Michelangelo , with many of his Sistine Ceiling compositions appearing in their work . The most notable of Fuseli's are found in his frontispiece illustrations of He directly ...
... period . Fuseli and Blake were heavily influenced by Michelangelo , with many of his Sistine Ceiling compositions appearing in their work . The most notable of Fuseli's are found in his frontispiece illustrations of He directly ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich