Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 10
... outline only . When he applied it to the figure , he did SO in a flat manner of illumination . Fuseli considers Blake's application of the Gothic in his use of color " infantile . " Fuseli taught color had two parts , " Imitation " and ...
... outline only . When he applied it to the figure , he did SO in a flat manner of illumination . Fuseli considers Blake's application of the Gothic in his use of color " infantile . " Fuseli taught color had two parts , " Imitation " and ...
Pàgina 15
... outline for their work used to illustrate ancient art . Blake was also influenced by Gothic architecture and sculpture , but his devotion to outline is purely 73 Fuseli and Blake did not see the Ancient in classical terms . 72 world ...
... outline for their work used to illustrate ancient art . Blake was also influenced by Gothic architecture and sculpture , but his devotion to outline is purely 73 Fuseli and Blake did not see the Ancient in classical terms . 72 world ...
Pàgina 56
... outline pray how can they make it When Men will draw outlines begin you to jaw them 246 Madmen see outlines & therefore they draw them . This touches upon two were important points : all these artists Neoclassisists , by their use of ...
... outline pray how can they make it When Men will draw outlines begin you to jaw them 246 Madmen see outlines & therefore they draw them . This touches upon two were important points : all these artists Neoclassisists , by their use of ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich