Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 6
... later went to Barth , in Prussia , with a Professor Spalding . There he produced a work for Baron Änheim depicting Fuseli and Lavater's first interview with the Baron . During his studies Fuseli became 32 fluent in ancient Greek , Latin ...
... later went to Barth , in Prussia , with a Professor Spalding . There he produced a work for Baron Änheim depicting Fuseli and Lavater's first interview with the Baron . During his studies Fuseli became 32 fluent in ancient Greek , Latin ...
Pàgina 23
... later rejected classicism entirely as rationalistic and restrictive , to his imagination . In a letter to Cumberland , Blake wrote , " There are states in which all Visionary Men are accounts Mad Men ; such are Greece and Rome . " 1 108 ...
... later rejected classicism entirely as rationalistic and restrictive , to his imagination . In a letter to Cumberland , Blake wrote , " There are states in which all Visionary Men are accounts Mad Men ; such are Greece and Rome . " 1 108 ...
Pàgina 52
... later , between 1800 and 1810 , at the height of the friendship and artistic production of Fuseli and Blake . " Blake wrote , printed , illustrated , and published his own poems by ' a method of Printing which combines the Painter and ...
... later , between 1800 and 1810 , at the height of the friendship and artistic production of Fuseli and Blake . " Blake wrote , printed , illustrated , and published his own poems by ' a method of Printing which combines the Painter and ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich