Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 17
... known . Another problem was that the marbles were not unpacked for nearly a decade after arriving in England ( 1806 ) , due to Lord Elgin's imprisonment in France , and they were not offered to the government until 1810 , and remained ...
... known . Another problem was that the marbles were not unpacked for nearly a decade after arriving in England ( 1806 ) , due to Lord Elgin's imprisonment in France , and they were not offered to the government until 1810 , and remained ...
Pàgina 22
... known engraving of the Laocoon by Blake is heavily textualized , words snaking about the outline of the figure in the manner of medieval illuminations ( fig . 18 ) . Blake does not use the statue so much as a source , as he was ...
... known engraving of the Laocoon by Blake is heavily textualized , words snaking about the outline of the figure in the manner of medieval illuminations ( fig . 18 ) . Blake does not use the statue so much as a source , as he was ...
Pàgina 23
Virginia Woods. early appreciation of Raphael , the best known of the Renaissance artists whose prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually ...
Virginia Woods. early appreciation of Raphael , the best known of the Renaissance artists whose prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich