Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 11
... imagination . Fuseli appears to have drawn strength from being aware of being an outsider , he was never completely British , his German 59 accent gave him away . Fuseli , an atheist , disapproved of technology . Blake , a prophet in ...
... imagination . Fuseli appears to have drawn strength from being aware of being an outsider , he was never completely British , his German 59 accent gave him away . Fuseli , an atheist , disapproved of technology . Blake , a prophet in ...
Pàgina 18
... imagination and divine inspiration . Fuseli became frustrated with Blake's mysticism . Despite all of the fantastic subjects of Fuseli's paintings , he was not a believer in the supernatural . He saw the occult as a mirror , an ...
... imagination and divine inspiration . Fuseli became frustrated with Blake's mysticism . Despite all of the fantastic subjects of Fuseli's paintings , he was not a believer in the supernatural . He saw the occult as a mirror , an ...
Pàgina 28
... imagination , stating that it is the material culture keeping artists from achieving their potential . He wrote , we are in a World of Generation and Death and this world we must cast off if we would be painters such as Rafael , Mich ...
... imagination , stating that it is the material culture keeping artists from achieving their potential . He wrote , we are in a World of Generation and Death and this world we must cast off if we would be painters such as Rafael , Mich ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich