Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 17
... created had not achieved the capability for This opinion was adopted by almost all classical realism . scholars . 81 Fuseli eventually considered the marbles one of the best examples of Greek work . He stated they were , That ...
... created had not achieved the capability for This opinion was adopted by almost all classical realism . scholars . 81 Fuseli eventually considered the marbles one of the best examples of Greek work . He stated they were , That ...
Pàgina 48
... created by the contours will move with a maximum play , he normally arranges his figures in a shallow frieze - like space that encouraged the spectator to on the outlines rather than explore any effects concentrate 221 of depth and ...
... created by the contours will move with a maximum play , he normally arranges his figures in a shallow frieze - like space that encouraged the spectator to on the outlines rather than explore any effects concentrate 221 of depth and ...
Pàgina 55
... created such a work as to make others believe . On some level , Fuseli must have carried the vestiges of his religion , for he , no more than Michelangelo could have done the Sistine Ceiling without his belief , could Fuseli have ...
... created such a work as to make others believe . On some level , Fuseli must have carried the vestiges of his religion , for he , no more than Michelangelo could have done the Sistine Ceiling without his belief , could Fuseli have ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich