Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 11.
Pàgina 17
... considered the marbles one of the best examples of Greek work . He stated they were , That combination of nature and ideal which I had felt as much displayed to to mid - day conviction . . . If I had seen nothing else , I had beheld ...
... considered the marbles one of the best examples of Greek work . He stated they were , That combination of nature and ideal which I had felt as much displayed to to mid - day conviction . . . If I had seen nothing else , I had beheld ...
Pàgina 39
... considered by him him to be primitive and ornamental painting , baroque , and decorator art , similar to portraits . Fuseli believed a work of art should be fully explanatory , independent from the material or source it is drawn from ...
... considered by him him to be primitive and ornamental painting , baroque , and decorator art , similar to portraits . Fuseli believed a work of art should be fully explanatory , independent from the material or source it is drawn from ...
Pàgina 61
... considered by the Neoclassic artists . 66F . Saxl and R. Mediterranean . 6-9 . Wittkower , British Art and the ( London : Oxford University Press , 1948 ) , pp . 67 Francis Haskell and Nicholas Penny , Taste and the Antique , ( New ...
... considered by the Neoclassic artists . 66F . Saxl and R. Mediterranean . 6-9 . Wittkower , British Art and the ( London : Oxford University Press , 1948 ) , pp . 67 Francis Haskell and Nicholas Penny , Taste and the Antique , ( New ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich