Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 27
... compositions appearing in their work . The most notable of Fuseli's are found in his frontispiece illustrations of He directly transfers the Shakespeare's plays ( fig . 29 ) . composition of figures in framed space for use in the ...
... compositions appearing in their work . The most notable of Fuseli's are found in his frontispiece illustrations of He directly transfers the Shakespeare's plays ( fig . 29 ) . composition of figures in framed space for use in the ...
Pàgina 31
... composition , similar turned composition , is likely to have 150 influenced Blake in its fluid style . Blake borrowed heavily from Fuseli's studies and had much to gain by these " pathos formulae . " 151 Fuseli's vaulting figures ...
... composition , similar turned composition , is likely to have 150 influenced Blake in its fluid style . Blake borrowed heavily from Fuseli's studies and had much to gain by these " pathos formulae . " 151 Fuseli's vaulting figures ...
Pàgina 44
... composition of Titania and Bottom ( fig . 72 ) for his engraving , Mirth ( fig . 69 ) . Fuseli's Death of Cardinal Beaufort ( 1776 ) from Henry IV shows the classical restraint of Michelangelo and is comparable to the composition of the ...
... composition of Titania and Bottom ( fig . 72 ) for his engraving , Mirth ( fig . 69 ) . Fuseli's Death of Cardinal Beaufort ( 1776 ) from Henry IV shows the classical restraint of Michelangelo and is comparable to the composition of the ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich