Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 14.
Pàgina 12
... believed emphatically , although according to the church , somewhat heretically , in God . Blake's theology , in many ways sounds like today's New Age philosophy . In his book , No Natural Religion ( 1788 ) , he writes " He who sees the ...
... believed emphatically , although according to the church , somewhat heretically , in God . Blake's theology , in many ways sounds like today's New Age philosophy . In his book , No Natural Religion ( 1788 ) , he writes " He who sees the ...
Pàgina 18
... believed in the inherent genius of masters , but also felt that all art was rooted rooted in the Classical tradition . " There is but one way for the moderns to become great , and perhaps unequaled ; I mean by imitating the ancients ...
... believed in the inherent genius of masters , but also felt that all art was rooted rooted in the Classical tradition . " There is but one way for the moderns to become great , and perhaps unequaled ; I mean by imitating the ancients ...
Pàgina 28
... believed in the divine strength of the imagination , stating that it is the material culture keeping artists from achieving their potential . He wrote , we are in a World of Generation and Death and this world we must cast off if we ...
... believed in the divine strength of the imagination , stating that it is the material culture keeping artists from achieving their potential . He wrote , we are in a World of Generation and Death and this world we must cast off if we ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich