Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 15
... beauty , he uses the existing text to further his Own ( The passages in boldface type are Winckelmann's 76 opinions . original . ) 75 The second is Beauty . man , characteristic of works 15.
... beauty , he uses the existing text to further his Own ( The passages in boldface type are Winckelmann's 76 opinions . original . ) 75 The second is Beauty . man , characteristic of works 15.
Pàgina 16
... beauty which no definition can explain , to whom heaven hath denied a soul for it . Fuseli's interpretation reflects the study and treatment of the human figure in his work . This is seen in his work , Artist's Lament ( 1778-1780 ) ...
... beauty which no definition can explain , to whom heaven hath denied a soul for it . Fuseli's interpretation reflects the study and treatment of the human figure in his work . This is seen in his work , Artist's Lament ( 1778-1780 ) ...
Pàgina 31
... beauty describes is elliptical , both uniform and various : ' tis not to be described by a circle , 149 and from every point changes its direction This is similar to Hogarth's use of a serpentine line which established the basis of the ...
... beauty describes is elliptical , both uniform and various : ' tis not to be described by a circle , 149 and from every point changes its direction This is similar to Hogarth's use of a serpentine line which established the basis of the ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich