Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
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Pàgina 4
... been owned by Blake . influence 23 in the association appears to be the invention of the Pre - Raphaelites when Fuseli's work had gone from fashion . 24 Personal Histories , Philosophical and Artistic Affinities and Differences Fuseli's.
... been owned by Blake . influence 23 in the association appears to be the invention of the Pre - Raphaelites when Fuseli's work had gone from fashion . 24 Personal Histories , Philosophical and Artistic Affinities and Differences Fuseli's.
Pàgina 11
... appears to have drawn strength from being aware of being an outsider , he was never completely British , his German 59 accent gave him away . Fuseli , an atheist , disapproved of technology . Blake , a prophet in his own theology ...
... appears to have drawn strength from being aware of being an outsider , he was never completely British , his German 59 accent gave him away . Fuseli , an atheist , disapproved of technology . Blake , a prophet in his own theology ...
Pàgina 43
... appears for Midsummer Night's Dream , has in Fuseli's illustrations several possible sources , from Flaxman's drawings of classical Hindu god sculpture , to the Herculaneum cupid ( fig . 60b ) , to the Arrotino or Scythian Slave . The ...
... appears for Midsummer Night's Dream , has in Fuseli's illustrations several possible sources , from Flaxman's drawings of classical Hindu god sculpture , to the Herculaneum cupid ( fig . 60b ) , to the Arrotino or Scythian Slave . The ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich