Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 18.
Pàgina 15
... Winckelmann characterizes the .74 was In 1765 , Fuseli published his Winckelmann's Reflections on the Painting and Sculpture of the Greeks . Winckelmann was , at the time , considered essential reading for any scholar in the antiquities ...
... Winckelmann characterizes the .74 was In 1765 , Fuseli published his Winckelmann's Reflections on the Painting and Sculpture of the Greeks . Winckelmann was , at the time , considered essential reading for any scholar in the antiquities ...
Pàgina 18
... Winckelmann , like like many artists insistence on ,, 84 · • the period in Europe , believed in the inherent genius of masters , but also felt that all art was rooted rooted in the Classical tradition . " There is but one way for the ...
... Winckelmann , like like many artists insistence on ,, 84 · • the period in Europe , believed in the inherent genius of masters , but also felt that all art was rooted rooted in the Classical tradition . " There is but one way for the ...
Pàgina 23
... Winckelmann singles out Raphael , Michelangelo and Poussin as comparable to the ancients for their mastery of contour . DaVinci was disregarded by both Winckelmann and Blake for his use of chiaroscuro . This is in addition to Blake's ...
... Winckelmann singles out Raphael , Michelangelo and Poussin as comparable to the ancients for their mastery of contour . DaVinci was disregarded by both Winckelmann and Blake for his use of chiaroscuro . This is in addition to Blake's ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich