Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 25
... Reynolds saw the order , rationalism and humanism of the Enlightenment ; he believed that by copying Michelangelo , he might receive the greatness Discourse , Reynolds did warn his by osmosis . In his Third students against copying a ...
... Reynolds saw the order , rationalism and humanism of the Enlightenment ; he believed that by copying Michelangelo , he might receive the greatness Discourse , Reynolds did warn his by osmosis . In his Third students against copying a ...
Pàgina 26
... Reynolds no less than a hypocrite . Reynolds and Blake are simply members of two separate generations . Each artist was over - serious about himself , " [ Benjamin West ] attacked Reynolds as well as Fuseli for being too visionary and ...
... Reynolds no less than a hypocrite . Reynolds and Blake are simply members of two separate generations . Each artist was over - serious about himself , " [ Benjamin West ] attacked Reynolds as well as Fuseli for being too visionary and ...
Pàgina 39
... Reynolds he wrote , " Poetical ornaments destroy that air of truth and plainness which ought to characterize History ; but the very being of Poetry consists in departing from the plain narration , and adopting every ornament that will ...
... Reynolds he wrote , " Poetical ornaments destroy that air of truth and plainness which ought to characterize History ; but the very being of Poetry consists in departing from the plain narration , and adopting every ornament that will ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich