Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 13
... Renaissance The climate of Neoclassicism - Fuseli's - The Elgin Marbles - The Laocoon Michelangelo , the Sublime and ... Renaissance in high regard . Classical form and the Renaissance were used interchangeably as neoclassic style ...
... Renaissance The climate of Neoclassicism - Fuseli's - The Elgin Marbles - The Laocoon Michelangelo , the Sublime and ... Renaissance in high regard . Classical form and the Renaissance were used interchangeably as neoclassic style ...
Pàgina 14
... Renaissance came to England from Northern Europe . This might explain why SO many of that country's artists were returning to Italy in subsequent centuries to regain the ecstatic , more emotional spirituality in their art , than the ...
... Renaissance came to England from Northern Europe . This might explain why SO many of that country's artists were returning to Italy in subsequent centuries to regain the ecstatic , more emotional spirituality in their art , than the ...
Pàgina 25
... Renaissance in their age , and the art of Michelangelo that exemplified it . Reynolds saw the order , rationalism and humanism of the Enlightenment ; he believed that by copying Michelangelo , he might receive the greatness Discourse ...
... Renaissance in their age , and the art of Michelangelo that exemplified it . Reynolds saw the order , rationalism and humanism of the Enlightenment ; he believed that by copying Michelangelo , he might receive the greatness Discourse ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich