Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 23
Virginia Woods. early appreciation of Raphael , the best known of the Renaissance artists whose prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually ...
Virginia Woods. early appreciation of Raphael , the best known of the Renaissance artists whose prints were available at the time . No doubt the style of Marcantonio Raimondi's copies of Raphael influenced him.106 Blake eventually ...
Pàgina 24
... Raphael is a painter of the individual . This is similar to Sir Joshua Reynolds ' evaluation . In his Fifth Discourse he said that Raphael excelled in beauty , Michelangelo in energy . Michelangelo's ideas are " vast and sublime , " his ...
... Raphael is a painter of the individual . This is similar to Sir Joshua Reynolds ' evaluation . In his Fifth Discourse he said that Raphael excelled in beauty , Michelangelo in energy . Michelangelo's ideas are " vast and sublime , " his ...
Pàgina 28
... Raphael's Loggia ( 1517 ) , and turned the work to Blake for engraving ( fig . 35 ) . Blake finished the figure , and filled in the background with the Roman Coliseum , which in contrast to Fuseli's lament , further emphasizes the ...
... Raphael's Loggia ( 1517 ) , and turned the work to Blake for engraving ( fig . 35 ) . Blake finished the figure , and filled in the background with the Roman Coliseum , which in contrast to Fuseli's lament , further emphasizes the ...
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