Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
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Pàgina 19
... Laocoön as an archetype of mastery of expression in art . face of the Laocoon is seen in the Head of a Man Tormented by Flames ( ca.1780 ) originally drawn by Fuseli , but copied by Blake in an engraving ( fig . 27 ) and later used in ...
... Laocoön as an archetype of mastery of expression in art . face of the Laocoon is seen in the Head of a Man Tormented by Flames ( ca.1780 ) originally drawn by Fuseli , but copied by Blake in an engraving ( fig . 27 ) and later used in ...
Pàgina 20
... Laocoon with that of the story of Ugolino and King Lear . One of Fuseli's best depictions of Ugolino ( fig . 26 ) , who was imprisoned with his two sons and sentenced to starvation , is strikingly similar to El Greco's depiction of the ...
... Laocoon with that of the story of Ugolino and King Lear . One of Fuseli's best depictions of Ugolino ( fig . 26 ) , who was imprisoned with his two sons and sentenced to starvation , is strikingly similar to El Greco's depiction of the ...
Pàgina 21
... Laocoon have chosen the climactic moment in the story to depict . " Lessing's thesis is that figurative art ... Laocoon , seen in Fuseli's nudes . Fuseli uses the Laocoon repeatedly in his work . His sketches of the piece show only the ...
... Laocoon have chosen the climactic moment in the story to depict . " Lessing's thesis is that figurative art ... Laocoon , seen in Fuseli's nudes . Fuseli uses the Laocoon repeatedly in his work . His sketches of the piece show only the ...
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