Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 7
... Italy , the volcanically Fuseli also traveled to Venice , Naples and preserved classical sites at Herculaneum and Pompeii . All the time while in Italy , he had sent paintings and drawings back to the Royal Academy . He returned to ...
... Italy , the volcanically Fuseli also traveled to Venice , Naples and preserved classical sites at Herculaneum and Pompeii . All the time while in Italy , he had sent paintings and drawings back to the Royal Academy . He returned to ...
Pàgina 14
... Italy was possible until the Napoleonic Wars . Even without this venue for study , there was plenty of classical art and its reproductions in Britain . The artifacts of Roman Britain were probably known 65 of , some of the best , those ...
... Italy was possible until the Napoleonic Wars . Even without this venue for study , there was plenty of classical art and its reproductions in Britain . The artifacts of Roman Britain were probably known 65 of , some of the best , those ...
Pàgina 16
... Italy . He used the figures of Niobe and her youngest daughter from the Uffizi in Florence ( fig . 8a ) for his ink drawing of Siegfried and Chriemhild ( 1807 ) ( fig . 9 ) and Niobe's son ( fig . 8b ) as a model for The Nightmare ...
... Italy . He used the figures of Niobe and her youngest daughter from the Uffizi in Florence ( fig . 8a ) for his ink drawing of Siegfried and Chriemhild ( 1807 ) ( fig . 9 ) and Niobe's son ( fig . 8b ) as a model for The Nightmare ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich