Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 13.
Pàgina 44
... death , but the terror in depicting the Catholic last rites . " Ah , what a sign of evil life / when death's approach is seen So ,, 199 terrible . This is similar to Blake's view of Milton and of the established Christian church , which ...
... death , but the terror in depicting the Catholic last rites . " Ah , what a sign of evil life / when death's approach is seen So ,, 199 terrible . This is similar to Blake's view of Milton and of the established Christian church , which ...
Pàgina 48
... Death as a wraith rather than in heroic Blake tends to make his figures To or elderly human form ( fig . 73 ) . ( considering his beginnings as an engraver ) with a " strong interest in rhythmic and expressive linear patterns achieve it ...
... Death as a wraith rather than in heroic Blake tends to make his figures To or elderly human form ( fig . 73 ) . ( considering his beginnings as an engraver ) with a " strong interest in rhythmic and expressive linear patterns achieve it ...
Pàgina 111
... Death Separated by Sin , 1800 , Angles City Museum , California . 74. Wm . Blake , Satan and Death Separated by Sin , 1806-1807 , Huntington Library , San Marino , 75. Wm . Hogarth , Satan and Death Separated by Sin , ca. 1764 , British ...
... Death Separated by Sin , 1800 , Angles City Museum , California . 74. Wm . Blake , Satan and Death Separated by Sin , 1806-1807 , Huntington Library , San Marino , 75. Wm . Hogarth , Satan and Death Separated by Sin , ca. 1764 , British ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich