Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
Des de l'interior del llibre
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Pàgina 7
... British 34 dominated the French students in Rome . The artists ' circle in Rome in Fuseli's time consisted of David and British artists , Flaxman , Barry , Runciman and Mortimer who worked in the 35 " Neoclassic Horrific " style ...
... British 34 dominated the French students in Rome . The artists ' circle in Rome in Fuseli's time consisted of David and British artists , Flaxman , Barry , Runciman and Mortimer who worked in the 35 " Neoclassic Horrific " style ...
Pàgina 61
... British artists and architects had been borrowing designs The craftmanship the end of the from ancient civilizations since Roman Britain . of these works quickly deteriorated after occupancy , and likely was not even considered by the ...
... British artists and architects had been borrowing designs The craftmanship the end of the from ancient civilizations since Roman Britain . of these works quickly deteriorated after occupancy , and likely was not even considered by the ...
Pàgina 72
... British Art and the Mediterranean . London : Oxford University Press , 1948 . Schiff , Gert . Images of Horror and Fantasy . New York : Abrams , 1978 . Johann Heinrich Füssli Schweizer Kunstler , vols . 1-2 . 1973 . 1741-1825 ...
... British Art and the Mediterranean . London : Oxford University Press , 1948 . Schiff , Gert . Images of Horror and Fantasy . New York : Abrams , 1978 . Johann Heinrich Füssli Schweizer Kunstler , vols . 1-2 . 1973 . 1741-1825 ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich