Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina
... Fuseli and Blake's similarities were possibly nothing more than the influence of the past on the period that all of their contemporaries , such as John Hamilton Mortimer , James Barry and John Flaxman were feeling . Well - traveled , Fuseli ...
... Fuseli and Blake's similarities were possibly nothing more than the influence of the past on the period that all of their contemporaries , such as John Hamilton Mortimer , James Barry and John Flaxman were feeling . Well - traveled , Fuseli ...
Pàgina 1
... Fuseli Studies , states Fuseli and Blake were the best examples of the " intermittent " unclear direction of the classical style in England . When most British artists were painting from models or landscape , Fuseli did not enjoy ...
... Fuseli Studies , states Fuseli and Blake were the best examples of the " intermittent " unclear direction of the classical style in England . When most British artists were painting from models or landscape , Fuseli did not enjoy ...
Pàgina 5
... Blake's style and uses of color - Fuseli's and Blake's religious philosophies . · - 1 25 26 Blake and Fuseli came from different backgrounds than their fellow artists and were compelled to remain on the fringe of the Academy . Fuseli ...
... Blake's style and uses of color - Fuseli's and Blake's religious philosophies . · - 1 25 26 Blake and Fuseli came from different backgrounds than their fellow artists and were compelled to remain on the fringe of the Academy . Fuseli ...
Frases i termes més freqüents
ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich