The Works of Samuel Johnson, LL. D.G. Walker, 1820 |
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Pàgina 2
... teachers never could bring it to retain the ordinary rules of grammar . " This is an instance of the natural desire of man to propagate a wonder . It is surely very difficult to tell any thing as it was heard , when 2 COWLEY .
... teachers never could bring it to retain the ordinary rules of grammar . " This is an instance of the natural desire of man to propagate a wonder . It is surely very difficult to tell any thing as it was heard , when 2 COWLEY .
Pàgina 3
... nature for literary politeness . But in the author's own honest relation , the marvel vanishes : he was , he says , such " an enemy to all constraint , that his master never could prevail on him to learn the rules without book . " He ...
... nature for literary politeness . But in the author's own honest relation , the marvel vanishes : he was , he says , such " an enemy to all constraint , that his master never could prevail on him to learn the rules without book . " He ...
Pàgina 6
... natural ; it is natural likewise for the lover to solicit reciprocal regard by an ela- borate display of his own qualifications . The desire of pleasing has in different men produced actions of heroism , and effusions of wit ; but it ...
... natural ; it is natural likewise for the lover to solicit reciprocal regard by an ela- borate display of his own qualifications . The desire of pleasing has in different men produced actions of heroism , and effusions of wit ; but it ...
Pàgina 17
... nature to the choice of man , has its changes and fashions , and at different times takes different forms . About the beginning of the seventeenth century , appeared a race of writers that may be termed the metaphy- sical poets ; of ...
... nature to the choice of man , has its changes and fashions , and at different times takes different forms . About the beginning of the seventeenth century , appeared a race of writers that may be termed the metaphy- sical poets ; of ...
Pàgina 18
... natural and new , that which , though not obvious , is , upon its first production , acknowledged to be just ; if it be ... nature and art are ransacked for illustra- tions , comparisons , and allusions ; their learning instructs , and ...
... natural and new , that which , though not obvious , is , upon its first production , acknowledged to be just ; if it be ... nature and art are ransacked for illustra- tions , comparisons , and allusions ; their learning instructs , and ...
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
Passatges populars
Pàgina 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Pàgina 73 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Pàgina 375 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Pàgina 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Pàgina 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
Pàgina 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
Pàgina 404 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
Pàgina 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Pàgina 394 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Pàgina 19 - Their attempts were always analytic ; they broke every image into fragments: and could no more represent, by their slender conceits 'and laboured particularities, the prospects of nature or the scenes of life, than he who dissects a sunbeam with a prism can exhibit the wide effulgence of a summer noon.