Sacred and Profane Beauty: The Holy in Art

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Oxford University Press, 2006 - 357 pàgines
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Gerardus van der Leeuw was one of the first to attempt a rapprochement between theology and the arts, and his influence continues to be felt in what is now a burgeoning field. Sacred and Profane is the fullest expression of his pursuit of a theological aesthetics, surveying religion's relationship to all the arts -- dance, drama, literature, painting, sculpture, architecture, and music. This edition makes this seminal work, first published in Dutch in 1932, newly available. A new foreword by Diane Apostolos-Cappadona analyzes the continuing relevance of van der Leeuw's thought.
Van der Leeuw's impassioned and brilliant investigation of the relationship between the holy and the beautiful is founded upon the conviction that for too long the religious have failed to seriously contemplate the beautiful, associating it as they do with the kingdom of sensuality and impermanence. Similarly it has been alien to literati and aesthetes to reflect upon the holy, for they choose to consider this physical world to be permanent, and therefore to be glorified through beauty alone. In truth, as van der Leeuw undertakes to show in Sacred and Profane Beauty, the holy has never been absent from the arts, and the arts have never been unresponsive to the holy. Whether one considers the Homeric epics, the dancing Sivas and Vedic poems, the sacred wall paintings of ancient Egypt, the primitive mask, or the range of sacred arts developed out of Latin and Byzantine Christianity, primordial creation in the arts was always directed toward the symbolization and interpretation of the
holy. The fact that in our day this original connection is obscured and the artistic impulse is more generally regarded as wholly individualistic and autonomous does not contradict van der Leeuw's thesis; indeed, the breakdown of the unity of the holy and the arts is central to his thesis.
Van der Leeuw was the rare thinker who combined profundity of insight, grace of style, and a willingness to take daring intellectual chances. In Sacred and Profane, he describes each of the arts in its original unity with the religious and then analyzes its historical disjunction and alienation. After a penetrating investigation of the structural elements within the arts which illumines a crucial dimension of the religious experience, van der Leeuw points toward the reemergence of an appropriate theological aesthetics on which a reunification of the arts could be founded.
 

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Continguts

The Unity of Dance and Religion
11
The Breakup of Unity
36
3
50
Influences
57
Harmony
67
The Theological Aesthetics of the Dance
73
The Breakup of Unity
86
The Enmity Between Religion and Theater
97
The Building of the House of God
195
The Theological Aesthetics of Building
209
The Transitional Structure
217
Discord
225
Harmony
243
Paths and Boundaries
265
The Republic of the Arts
288
Conflict
295

Harmony
104
The Theological Aesthetics of the Drama
110
The Breakup of Unity
127
Light
140
The Fixation of an Idea as a Holy Image
155
Unhindered Pictorial Representation
169
The Prohibition of Images and the Iconoclastic Controversy
177
Influences
189
The Hierarchy of the Arts
302
11
310
The Theology of the Arts
328
Bibliographical Notes
341
12
342
Index
353
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Gerardus van der Leeuw was Professor of the History of Religion at the University of Groningen (The Netherlands). Several of his works are considered classics, including Religion in Essence and Manifestation and Introduction to the Phenomenology of Religion.

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