Sacred and Profane Beauty: The Holy in ArtOxford University Press, 2006 - 357 pàgines Gerardus van der Leeuw was one of the first to attempt a rapprochement between theology and the arts, and his influence continues to be felt in what is now a burgeoning field. Sacred and Profane is the fullest expression of his pursuit of a theological aesthetics, surveying religion's relationship to all the arts -- dance, drama, literature, painting, sculpture, architecture, and music. This edition makes this seminal work, first published in Dutch in 1932, newly available. A new foreword by Diane Apostolos-Cappadona analyzes the continuing relevance of van der Leeuw's thought. Van der Leeuw's impassioned and brilliant investigation of the relationship between the holy and the beautiful is founded upon the conviction that for too long the religious have failed to seriously contemplate the beautiful, associating it as they do with the kingdom of sensuality and impermanence. Similarly it has been alien to literati and aesthetes to reflect upon the holy, for they choose to consider this physical world to be permanent, and therefore to be glorified through beauty alone. In truth, as van der Leeuw undertakes to show in Sacred and Profane Beauty, the holy has never been absent from the arts, and the arts have never been unresponsive to the holy. Whether one considers the Homeric epics, the dancing Sivas and Vedic poems, the sacred wall paintings of ancient Egypt, the primitive mask, or the range of sacred arts developed out of Latin and Byzantine Christianity, primordial creation in the arts was always directed toward the symbolization and interpretation of the holy. The fact that in our day this original connection is obscured and the artistic impulse is more generally regarded as wholly individualistic and autonomous does not contradict van der Leeuw's thesis; indeed, the breakdown of the unity of the holy and the arts is central to his thesis. Van der Leeuw was the rare thinker who combined profundity of insight, grace of style, and a willingness to take daring intellectual chances. In Sacred and Profane, he describes each of the arts in its original unity with the religious and then analyzes its historical disjunction and alienation. After a penetrating investigation of the structural elements within the arts which illumines a crucial dimension of the religious experience, van der Leeuw points toward the reemergence of an appropriate theological aesthetics on which a reunification of the arts could be founded. |
Continguts
INTRODUCTION | 3 |
The Unity of Dance and Religion | 11 |
The Breakup of Unity | 36 |
Enmity Between Dance and Religion | 50 |
Influences | 57 |
Harmony | 67 |
The Theological Aesthetics of the Dance | 73 |
The Breakup of Unity | 86 |
The Prohibition of Images and the Iconoclastic Controversy | 177 |
Influences | 189 |
The Building of the House of God | 195 |
Influences Toward Harmony | 206 |
Holy Sound | 213 |
Influences | 230 |
Harmony | 243 |
Paths and Boundaries | 265 |
The Enmity Between Religion and Theater | 97 |
Harmony | 104 |
The Theological Aesthetics of the Drama | 110 |
The Breakup of Unity | 127 |
Influences Toward Harmony | 139 |
The Theological Aesthetics of the Word | 145 |
The Fixation of an Idea as a Holy Image | 155 |
Unhindered Pictorial Representation | 169 |
The Republic of the Arts | 288 |
Conflict | 295 |
The Hierarchy of the Arts | 302 |
The Theology of the Arts | 328 |
341 | |
353 | |
Altres edicions - Mostra-ho tot
Sacred and Profane Beauty: The Holy in Art. Pref. by Mircea Eliade ... Gerardus Leeuw Visualització de fragments - 1963 |
Frases i termes més freqüents
actor Akhenaten ancient ancient Egypt animals architecture artist Bach Bach's becomes body boundaries chorale chorus Christ Christian completely connection created creation culture dance danger death Dionysus divine drama ecstatic essence eternal everything example experience express the holy faith feeling Gerardus God's gods Goethe Greek Guido Gezelle heaven human hymn Iacchus iconolatry idea imitation king Leeuw liturgy lives magical mask Matthew Passion means melody Mircea Eliade modern Mozart mystery Mystery plays mysticism nature never once opera original painting Passion path peripeteia pictorial arts play poet poetry primitive Profane Beauty program music purely reality relationship religion religion and art religious art remains representation represented revelation rhythm round dance sacer ludus says Schopenhauer secular sense sings song soul sound speak spirit stand Stefan George structure symbol temple theater theological aesthetics theology thing tion transition true unity Whoever word worship Yahweh