His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 54.
Pàgina 143
... turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene ... turning of the tables . Even without it , Shylock could quite well have been made to swallow the medicine , drop by ...
... turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene ... turning of the tables . Even without it , Shylock could quite well have been made to swallow the medicine , drop by ...
Pàgina 146
... turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances , this celebrated defence might touch us . In this regard it is ...
... turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances , this celebrated defence might touch us . In this regard it is ...
Pàgina 206
... turn has cast light upon that thought and emotion by illuminating the tragedies which were a product of the age . In the portion of the chapter before our selection , Bradley has analyzed Shakespearean tragedy as a story of " human ...
... turn has cast light upon that thought and emotion by illuminating the tragedies which were a product of the age . In the portion of the chapter before our selection , Bradley has analyzed Shakespearean tragedy as a story of " human ...
Continguts
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Copyright | |
No s’hi han mostrat 23 seccions
Altres edicions - Mostra-ho tot
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Visualització de fragments - 1964 |
Frases i termes més freqüents
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words
Referències a aquest llibre
A.W. Schlegel's Shakespearean Criticism in England, 1811-1846 Thomas G. Sauer Visualització de fragments - 1981 |