The World & Art of ShakespeareD. Davey, 1967 - 285 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 29.
Pàgina 16
... romantic plot and comic underplot clearly foreshadow the Elizabethan romantic plays . The plot begins with two young men chatting with the guests in the banqueting hall of a mansion , and revealing that the host has invited a group of ...
... romantic plot and comic underplot clearly foreshadow the Elizabethan romantic plays . The plot begins with two young men chatting with the guests in the banqueting hall of a mansion , and revealing that the host has invited a group of ...
Pàgina 78
... romantic and chivalric convention in his portrayal of the major male protagonists , it nevertheless , as we have seen , posits certain equally romantic ideas about women , who are shown as the true repositories of love , truth and ...
... romantic and chivalric convention in his portrayal of the major male protagonists , it nevertheless , as we have seen , posits certain equally romantic ideas about women , who are shown as the true repositories of love , truth and ...
Pàgina 138
... romantic comedy the menacing , if not tragic note of the bond theme ? 4 ) Why did he present in a single play two completely unrelated and opposing worlds , each with its own codes and standards of values ? On the one hand , there is ...
... romantic comedy the menacing , if not tragic note of the bond theme ? 4 ) Why did he present in a single play two completely unrelated and opposing worlds , each with its own codes and standards of values ? On the one hand , there is ...
Continguts
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
Copyright | |
No s’hi han mostrat 22 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referències a aquest llibre
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Previsualització no disponible - 1977 |