The World & Art of ShakespeareD. Davey, 1967 - 285 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 80.
Pàgina 41
... character . We tend to read into the plays our modern views of what constitutes integration and consistency of ... character was consistent with regard to a specific situation . The moral issues were regarded as absolute , and the ...
... character . We tend to read into the plays our modern views of what constitutes integration and consistency of ... character was consistent with regard to a specific situation . The moral issues were regarded as absolute , and the ...
Pàgina 73
... character is mistaken for his double by the various people with whom he comes into contact and Shakespeare resorts to frequent verbal recapitulations of what has already happened in order to keep the sequence of events clear in the ...
... character is mistaken for his double by the various people with whom he comes into contact and Shakespeare resorts to frequent verbal recapitulations of what has already happened in order to keep the sequence of events clear in the ...
Pàgina 281
... character in the play is referred to and represented as some kind of fool , or as ' fond ' , which has a similar ... character relationships , all pursuing their individual ways concurrently , and all con- tributing as well to an ...
... character in the play is referred to and represented as some kind of fool , or as ' fond ' , which has a similar ... character relationships , all pursuing their individual ways concurrently , and all con- tributing as well to an ...
Continguts
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
Copyright | |
No s’hi han mostrat 22 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referències a aquest llibre
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Previsualització no disponible - 1977 |