The World & Art of ShakespeareD. Davey, 1967 - 285 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 21.
Pàgina 53
... accepted without even an awareness that they existed . What had once constituted the instru- ments of thinking were now beginning to become the objects of thought . A new order was threatening the spiritual security of traditional forms ...
... accepted without even an awareness that they existed . What had once constituted the instru- ments of thinking were now beginning to become the objects of thought . A new order was threatening the spiritual security of traditional forms ...
Pàgina 59
... accepted order of the ranks , since derangement or infringement of any one aspect of the cosmic pattern involved a derangement or infringement of every other . In the social and economic spheres this was already taking place under the ...
... accepted order of the ranks , since derangement or infringement of any one aspect of the cosmic pattern involved a derangement or infringement of every other . In the social and economic spheres this was already taking place under the ...
Pàgina 176
... acceptance of fate is typical of him and of Cassius before and during the final battle at Philippi . Acceptance of fate's decrees does not , however , mean passivity and inaction on the part of the individual . Brutus is no Romeo ...
... acceptance of fate is typical of him and of Cassius before and during the final battle at Philippi . Acceptance of fate's decrees does not , however , mean passivity and inaction on the part of the individual . Brutus is no Romeo ...
Continguts
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
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No s’hi han mostrat 22 seccions
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Frases i termes més freqüents
accepted action actors Antony appear attitude audience awareness becomes beginning bring Caesar called century character Christian Cleopatra close comedy contrast conventions corrupt court critics daughter death demand drama earlier effect Elizabethan England English evil example expression fact fall Falstaff father feeling finally follow fool friends give Hamlet hand hath Henry hero honour human important indicate Italy killed kind king later leads Lear less live lovers means mind moral murder nature never noble once opening Othello passion patterns performed Plautus play plot presented reason referred rejection represented revealed revenge Richard romantic scene sense serve Shakespeare shows speak speech stage stresses symbolic theatre theme things thou tragedy Troilus true turn values virtue whole wife
Referències a aquest llibre
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare Previsualització no disponible - 1977 |