Split Britches: Lesbian Practice/feminist PerformanceThe Split Britches theater company has defined postmodern lesbian/feminism on stage in the U.S. for the past decade and is arguably the single most important experimental theater company to have emerged during this time. Split Britches: Lesbian Practice/Feminist Performance is a long- awaited celebration of the theater and writing of Lois Weaver, Peggy Shaw, and Deb Margolin, who make up the troupe and who have won two Obies and other distinguished awards for their performance skills, ensemble work, and textual innovation. Their work addresses the central icons of high and popular culture from the perspective of lesbian and feminist gender twists and power inversions--from Weaver and Shaw's lip synching satires (Shaw's send-up of Perry Como, Weaver's Southern dish of Tammy Whynot), and their butch-femme seductions in Belle Reprieve, to Margolin's parodic stagings of a Jewish comedian in the vaudeville spectacle of Beauty and the Beast, to the queer challenges of transexuality in Lust and Comfort. |
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Continguts
SPLIT BRITCHES | 35 |
BEAUTY AND THE BEAST | 59 |
UPWARDLY MOBILE HOME | 87 |
LITTLE WOMEN | 119 |
BELLE REPRIEVE | 149 |
LESBIANS WHO KILL | 185 |
LUST AND COMFORT | 225 |
273 | |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
audience Beast Beauty begins Belle Reprieve BLANCHE body chair character comes continues Cora crosses dance dark DELLA don't dream dress EMMA enters exits eyes face fall FATHER feel front funny girl give gonna hand happy hear HILARIOUS hold It's JUNE keep KHURVE kiss leave lesbian Lesbians Who Kill LEVINE lights Little Women live LOIS look LOUISA Lust and Comfort Margolin mean MITCH MOTHER GODAM/MOM moves never night Okay PEGGY performance pick piece play pulls role scene seat sexual Shaw singing Slide song Split Britches stage stand STANLEY starts STELLA stop story style talk TAMMY tell theater there's things thought trying turn Upwardly Mobile Home voice wait walks What's woman Yeah you're