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" The action of the arm necessary for producing a true tremolo, demands, doubtless, too great an effort. This idleness is intolerable. Many double-bass players permit themselves — from idleness, also, or from a dread of being unable to achieve certain... "
A treatise upon modern instrumentation and orchestration - Pàgina 184
per Louis Hector Berlioz - 1858
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A Treatise Upon Modern Instrumentation and Orchestration: New Ed., Rev ...

Hector Berlioz - 1856 - 356 pàgines
...super-added to the value of the first bar. The result of this, is the following effect:@ 緯" 童ョ produce only thirty-two, or even sixteen. The action...or from a dread of being unable to achieve certain difficulties—to simplify their part. This race of simplifiera, be it said, lias existed for forty...
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A Treatise on Modern Instrumentation and Orchestration: To which is Appended ...

Hector Berlioz - 1882 - 268 pàgines
...triple or double ones ; and in lieu of producing sixty-four notes in a bar in four-time (adagio), they produce only thirty-two, or even sixteen. The action...arm necessary for producing a true tremolo, demands from them too great an effort. Thia idleness is intolerable. Many double-bass players permit themselves...
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Prof. H. Kling's Modern Orchestration and Instrumentation: Or, The Art of ...

Henri Kling, Gustav Saenger - 1905 - 364 pàgines
...thirty-two, or even sixteen. The action of the arm necessary for producing a true tremolo, demands from them too great an effort. This idleness is intolerable....difficulties — to simplify their part. This race of simplifiers has existed for forty years ; but it cannot endure any longer. In ancient works, the double-bass...
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Prof. H. Kling's Modern Orchestration and Instrumentation: Or, The Art of ...

Henri Kling, Gustav Saenger - 1905 - 406 pàgines
...triple or double ones ; and in lieu of producing sixty-four notes in a bar in four-time (adagio^, they produce only thirty-two, or even sixteen. The action...arm necessary for producing a true tremolo, demands from them too great an effort. This idleness is intolerable. Many double-bass players permit themselves...
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