Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 74.
Pàgina 99
... speech , that is , in essence , the opposite of her real character which reveals itself in her conduct and behaviour ... speech has produced a favourable emotional reaction , if not feelings of satisfying pleasure , that point to the ...
... speech , that is , in essence , the opposite of her real character which reveals itself in her conduct and behaviour ... speech has produced a favourable emotional reaction , if not feelings of satisfying pleasure , that point to the ...
Pàgina 326
... speech which showed the climactic fleshly fire of desire : love has been offered by both and mutually accepted : it is not love that is pin- pointed here in response to Ferdinand's " Wherefore weep you ? " after his unambiguous ...
... speech which showed the climactic fleshly fire of desire : love has been offered by both and mutually accepted : it is not love that is pin- pointed here in response to Ferdinand's " Wherefore weep you ? " after his unambiguous ...
Pàgina 344
... speech in reply gives her away , as overpowering emotion makes her fundle for words : " Yes , yes , it was Bassanio , as I think , so was he called , " ( I. iii . 96 ) is obviously , added to hide her emotional pitch , indicative of her ...
... speech in reply gives her away , as overpowering emotion makes her fundle for words : " Yes , yes , it was Bassanio , as I think , so was he called , " ( I. iii . 96 ) is obviously , added to hide her emotional pitch , indicative of her ...
Continguts
Enters Love Leading | 119 |
The Triumphant Phase | 239 |
329339 | 340 |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words