Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 7.
Pàgina 202
... conflict with evil and , his entry into the Hereafter marked by stoic courage- " The wheel is come full circle I am ... conflict is , love there cannot take firm root . Conflict is central to tragedy , and , therefore , the tragic soil ...
... conflict with evil and , his entry into the Hereafter marked by stoic courage- " The wheel is come full circle I am ... conflict is , love there cannot take firm root . Conflict is central to tragedy , and , therefore , the tragic soil ...
Pàgina 232
... conflict between his pristine sane self and the inner self that has been implanted within him : " Some say " that his abnormal conduct emerges not from his true native character , but from the acquired character which plies his pes ...
... conflict between his pristine sane self and the inner self that has been implanted within him : " Some say " that his abnormal conduct emerges not from his true native character , but from the acquired character which plies his pes ...
Pàgina 255
... conflict , as such , between war and woman ; but the tragic conflict stems from the attitude of the hero who is burdened with the double role of military general and lover , " the gratest soldier of the world ; " and " the amourous ...
... conflict , as such , between war and woman ; but the tragic conflict stems from the attitude of the hero who is burdened with the double role of military general and lover , " the gratest soldier of the world ; " and " the amourous ...
Continguts
Enters Love Leading | 119 |
The Triumphant Phase | 239 |
329339 | 340 |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words