Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 54.
Pàgina 110
... comes amiss , so money comes withal . I.ii.74 . Gremio in I. ii . 13-14 . tells the audience that Petruchio is of a powerful build and given to violent fits of ill temper : My master is grown quarrelsome . I should knock you first And ...
... comes amiss , so money comes withal . I.ii.74 . Gremio in I. ii . 13-14 . tells the audience that Petruchio is of a powerful build and given to violent fits of ill temper : My master is grown quarrelsome . I should knock you first And ...
Pàgina 144
... come out strengthened and buoyantly jubilant . Rosalind's love is the noblest since it reaches out to God's redemptive love that confirms and turns right - about - turn Duke Frederick who comes to slay ; and does stay to pray . Orlando ...
... come out strengthened and buoyantly jubilant . Rosalind's love is the noblest since it reaches out to God's redemptive love that confirms and turns right - about - turn Duke Frederick who comes to slay ; and does stay to pray . Orlando ...
Pàgina 155
... comes . The peculiar rhythmic break in the syntactical order is signifi- cant the natural order : " But here comes the lady " is the normal expression of his awareness of the entry of the lady who alone , if any , may clarify this ...
... comes . The peculiar rhythmic break in the syntactical order is signifi- cant the natural order : " But here comes the lady " is the normal expression of his awareness of the entry of the lady who alone , if any , may clarify this ...
Continguts
Enters Love Leading | 119 |
The Triumphant Phase | 239 |
329339 | 340 |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words