Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 64.
Pàgina 153
... audience is faced with the choice of one of the inescap- able alternatives : either is she playing with the dear feelings of " that self - same peevish youth " or is she toying with the idea of winning the ere - accepted ' man ' by ...
... audience is faced with the choice of one of the inescap- able alternatives : either is she playing with the dear feelings of " that self - same peevish youth " or is she toying with the idea of winning the ere - accepted ' man ' by ...
Pàgina 171
... audience is never let into the process as to how marriages are made , or " the way of a man with a maid . " Wherever the marriage is on the Medieval lines ; and , where love is reported , as by Othello before the Duke ; and where ...
... audience is never let into the process as to how marriages are made , or " the way of a man with a maid . " Wherever the marriage is on the Medieval lines ; and , where love is reported , as by Othello before the Duke ; and where ...
Pàgina 176
... audience recalls what the King had no means of knowing— ( I.iii.146 ) " yes , Helen , you might be my daughter - in - law " from the Countess and the pledged promise of the Countess , Bertrand's mother to Helena , in response to her ...
... audience recalls what the King had no means of knowing— ( I.iii.146 ) " yes , Helen , you might be my daughter - in - law " from the Countess and the pledged promise of the Countess , Bertrand's mother to Helena , in response to her ...
Continguts
Enters Love Leading | 119 |
The Triumphant Phase | 239 |
329339 | 340 |
No s’hi han mostrat 1 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words