Love and Marriage in ShakespeareS. Chand, 1977 - 368 pàgines |
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Pàgina 158
... adaptations , adjustments and other similar ele . ments . It is the subtext that makes us say the words we do in a play . John Russell Brown : Shakespeare's Dramatic Style . Heine- mann , London . 1970. P. 29 . boys . Shakespeare has ...
... adaptations , adjustments and other similar ele . ments . It is the subtext that makes us say the words we do in a play . John Russell Brown : Shakespeare's Dramatic Style . Heine- mann , London . 1970. P. 29 . boys . Shakespeare has ...
Continguts
Enters Love Leading | 119 |
The Triumphant Phase | 239 |
329339 | 340 |
No s’hi han mostrat 1 seccions
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A.L. Rowse action Antony and Cleopatra asserts audience Bassanio Beatrice beauty Benedick Bianca Caesar Caesario Caliban character Claudio consequently Cressida Cymbeline daughter death Don Pedro dramatic Duke emotional Enobarbus evil faith father female feminine Ferdinand freedom grace Gremio Hamlet happy hath heart Hermione Hero Hortensio human husband Imogen Kate Katharine King lady Leonato Leontes live London look lord love and marriage Love's Labour's Lost Love's Labour's Won lovers Lucentio Luciana lust Macbeth male married means Medieval Miranda Modern moral nature Nerissa Olivia Orlando Othello passion Perdita person Petruchio play Polixenes Portia Posthumus Prince Prince Hamlet Princess Prospero Proteus Queen redemptive love Renaissance romantic love Rosalind sense sexes sexual Shakespeare shrew Silvia social soul speak speech spirit tells Tempest thee things thou tragedy tragic world Troilus and Cressida true love true minds truth Viola virtue wife woman women wooing words