Imatges de pàgina
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An' aye the burnie wimples on,
An' ilka thing's the same
To me, as when I row'd about
The broomy braes o' hame.

Dear haunts o' youth-the braes o' hame,
What mem'ries linger there :

The merry laugh, the manly shout,
O' hearts unkent to care;

They rise still yet upon my ear,

Iken them a' by name;

Oh! would that I could meet them on
The broomy braes o' hame.

I KISSED THEM A' FOR YOU, MOTHER.

(Suggested by reading the telegrams sent by Robert Kennedy, son of the celebrated Scotch vocalist of that name, to his mother, regarding the sad death of his brother and two sisters, who lost their lives by the burning of the Opera House at Nice-in one of which he says-"It must be told-they are all dead;' " and in another-" I kissed them all for you, mother, and now they lie in the vault.")

I kissed them a' for you, mother,

While tears stream'd down my cheek,
For my heart o' grief was noo, mother,
Sae fu' I couldna speak ;

I gazed upon them a', mother,
An' thocht o' hame an' you,
Syne turn'd my face awa, mother,
An' sabb'd an' sigh'd adieu.

I kissed them a' for you, mother,
My brither an' sisters twa,—
But I couldna think it true, mother,
That their souls had flown awa:
I couldna think it true, mother-
To me they were so dear,

An' when a' met, time flew mother,
Sae cheerie aye while here,

I kissed them a' for you, mother,
An' breath'd a fervent prayer
That God micht gie ye strength, mother,
The awful blow to bear;

For weel I kent 'twad be, mother,

A sair, sair stoon to you,
The loss o' a' your three, mother,
Wha aye were guid an' true.

I kissed them a' for you, mother
(The tear still i' my e'e),
An' thocht it hard that they, mother,
Sae far frae hame should dee;

I grat richt sair, indeed, mother.
While viewin' Katie's face

I thocht a smile, tho' deid, mother,
Thereon I still could trace.

I kissed them a' for you, mother,-
An' noo they're sleepin' soun',
Awa frae mortal view, mother,
Frae frien's an' native toon;
An' tho' wi' grief your cup, mother,
Maun for a time o'erflow,

Faint not, but bear ye up, mother,
"There's a hope for every woe.'

YE WISE OLD OWL.

An old owl sat on an old, old towerTu-whit-tu-whoo,

And watch'd the fading twilight hourTu-whit-tu-whoo.

With thoughtful look and glancing eye, He view'd the stream go meand'ring by, And joined its murmur with his cryEcho returning prompt reply,

Tu-whit-tu-whoo-tu-whoo.

Softly wail'd the balmy breeze

Woe-ho-woe-woe,

Through the stately beechen trees

Woe-ho-woe--woe.

The warbling tenants of the wood
Enjoyed repose in solitude,

Nor seem'd disturb'd by him so shrewd,
Who sang as in a mournful mood,

Tu-whit-tu-whoo-tu-whoo.

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He fought our good old flag to save,
Which proudly o'er his head did wave;
But soon he fell amidst the brave;
And oft that wail went o'er his grave,
Tu-whit-tu-whoo-tu-whoo.

Adown the dell, sad, and alone-
Woe-ho-woe-woe,

A maiden sighed for him long gone-
Woe-ho-woe-woe.

Silent she stood, with drooping head,
Then stoop'd to pray for her soldier lad;
But rose not again; for pale and dead
She lay, while the old owl mourn'd o'erhead
Tu-whit-tu-whoo-tu-whoo.

And now within yon old church-yard-
Woe-ho-woe-woe,

She sleeps, whose heart was worn and tired-
Woe-ho-woe-woe.

And oft yet by that same old tower,
And near the ill-starr'd lovers' bower,
Toward the silent midnight hour
The owl sings with his wonted power,
Tu-whit-tu-whoo-tu-whoo.

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CHARLES NEILL,

UTHOR of several deservedly-admired Scottish songs, is schoolmaster of Dornoch, Sutherlandshire. He is a native of Edinburgh, and, in some respects, his life has been eventful. At the age of twelve, partly to gratify a strong desire for reading, he decided upon being a compositor, and was apprenticed as such in the University Printing Office, Edinburgh. While there he had ample means of supplementing an education which could not have been otherwise than imperfect, seeing that he had only been four years at school. He began to write rhymes when he was about fourteen. Some of these having come under the notice of Alexander

Smart, the well-known author of "Songs of Labour" and "Rambling Rhymes," and one of the principal contributors to "Whistle Binkie," who was then a pressman in the same office, and even at that time a recognised poet, gained for the young lad many a kind word and wise advice from this pure-minded, tender-hearted, but unfortunate son of song.

Mr Neill completed his apprenticeship in the office of the Edinburgh Evening Post, from which issued not only that, but sundry other newspapers, involving night and day work twice, and often thrice, a-week, of about twenty-four hours at a stretch. There he first experienced the hardships of life, under which many promising youths succumbed. As a journeyman he was afterwards employed in the office of Messrs Paton & Ritchie, Edinburgh, where, being relieved of night work, he soon regained strength. Before completing twelve months as journeyman, he met with a gun accident, by which he lost his right hand, and had a narrow escape with life. No longer fitted for manual labour, he had to begin life anew. He resolved on being a teacher, but the difficulty of learning to write under the circumstances seemed insurmountable. However, six months afterwards we find him entered as a student at the Normal School, Castle Terrace, Edinburgh. He was not long there when he was selected by the headmaster, who had been appointed parochial teacher of Corstorphine, to act for him as substitute until released from his engagement at the Normal School.

Mr Neill's first appointment as a teacher was to the Newton School, in the parish of Pencaitland. He afterwards taught in the school of Kincardine O'Neil for about three years, was appointed one of the staff at Milne's Institution, Fochabers, and subsequently headmaster of the North Parish School, Aberdeen, where he laboured successfully for five years. Desirous of a change to country life, he

determined to obtain a parochial school, and accordingly, in 1862, he was elected by the Commissioners of Supply for the county of Sutherland to the Parochial School of Dornoch, for which he was afterwards examined and found qualified by the Examining Board of the University of Aberdeen.

In 1856 Mr Neill published a volume entitled "Ellen of Ayr, or the Soldier's Wife," which was favourably reviewed by the press, and in a very short time was "out of print." He has for many years kept up connection with the newspaper press by contributions in prose and verse. Many, instead of rising, would have sunk under difficulties and misfortunes such as Mr Neill has encountered. still sings cheerily, and several of his harmonious productions display fine quiet humour, which occasionally breaks out into broad fun, while others are touched with a natural sweetness and pathos which commend them irresistibly to the heart and the affections.

SONG OF SPRING.

Sweet in the birken the mavis is singing,
Canty wee robin chirps doon in the shaw,
Up to the blue lift the lavrock is springing,
Blythe its bit heartie-cauld winter's awa.

"Fare ye weel, winter," the cushats are crying,
"Dinna come back, wi' your frost, sleet, and snaw,'
"Fare ye weel, winter," the saft winds are sighing;
"Lang hae ye blustered, but noo ye're awa.

Skip ower the gowan lee lammies are playing,
Soon in the wild woods the primrose will blaw,
Heather bells wave, and the bumble bee straying,
Wile gowden treasures to store its wee ha.'

Saft through the dark dell the burnie is wimpling,—
Newly escaped winter's lang, icy thraw,-

Kissing the bonnie braes, whirling and dimpling,
Blythe in its freedom it loups ower the fa'.

He

The roe deer are bounding ower whin, broom and bracken;
The wee buds are keeking to cleed ilka tree;

Spring smiles on nature, a wooer to wauken

The beauties that fled Winter's cauld dowie e'e,

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