When about the age of nineteen he was apprenticed to the pattern-drawing at Ruthven Printfield, then in its palmy days, and on becoming a journeyman he got an engagement for a year or two in London, afterwards removing to Glasgow, where he resided till his death in 1875. While an apprentice he made a design for a richly embroidered handkerchief, presented to the Queen at her coronation by a leading embroidery house. He was one of a number of first-class designers who were at the head of their profession from twenty to forty years ago, when calico printing flourished in the west of Scotland, and not a few of whom were more or less known as rhymers. Mr Taylor was a successful competitor in several rhyming competitions, and although he was not a voluminous writer, his verses are all characterised by calm and thoughtful reflectiveness, and purity of tone. WALLACE! Ye bards of old Scotland, arouse from your slumbers! Of Wallace, the patriot, the brave, and the true The hero of heroes, so mighty and peerless! The dread of the despot! the boast of the brave! Strike boldly the harp, then, sing loudly and clearly, Oh, Wallace thy spirit still lives in the world, While the heather shall bloom and the thistle shall wave, CLOUDS. Sweet breathings of morn, from earth ether-borne, Like angels of light, on a heavenward flight, In life's early dawn I have lain on the lawn, On your sun-lit home, in the starry dome, And young fancy flew through the boundless blue, And journeyed afar, beyond sun, moon, or star, But the sun sped on, the bright vision was gone, And the clouds flew past on the wings of the blast, So my youth's bright dreams, and fortune's sunny From Hope's high heaven were torn ; But after the rain comes sunshine again, ALEXANDER BROWN. ANY will have noticed with interest the remarkably varied positions in life in which the Muse has found her votaries. We have given examples of the magistrate upon the bench, and the policemen in the street, the miner in the coal pit, and the retired merchant in the house of luxury. have seen that she has cast her mantle over the wife of the labouring man, who sings with the true We ring of the lights and shadows of the domestic hearth, as well as over the lady of high degree. Yet we have only before now found one sailor who could claim kindred to the Muses. 66 The subject of the present sketch was born in the village of Penicuik, near Edinburgh, in 1823. His father, a native of Arbroath, was a paper-maker there, and his mother was a daughter of the Rev. James Walker, Episcopal clergyman, Kirkcaldy, who had removed there from the vicinity of Stonehaven. In 1827 his parents flitted" to Currie, and Alexander was educated at the parish school there. When fourteen years of age, he went to Kirkcaldy, and served two years as clerk in an office, but a strong desire for a seafaring life seized him. He joined an Arbroath vessel, and served an apprenticeship to the sea-going through all its grades and vicissitudes. With the exception of five years spent in the United States and Canada, he followed this calling. Fever and ague compelled him to leave America, and the effects of that illness still, we regret to learn, cling to him. It would appear that the first fruits of his pen were unlucky. During a voyage to the Cape his ship blew up, and the manuscripts he had been preparing for publication on his return home were burned. Again, while lying in Sydney, he re-wrote several of the best of them from memory, but, unfortunately, they, too, were doomed, for his next ship foundered on the New Zealand coast, and they were drowned. "Since then," he tells us, "I have been content to send a few fugitive pieces to the local and district newspapers, and have given up all thought of book-making. I do not think anyone would care to invest in the lucubrations of an old ship-master." We hardly think Captain Brown is right, for we know that not only in Arbroath, where he resides and is held in high esteem, but in a very wide circle, his thoughtful effusions are much admired. He wisely avoids overstrained language, and there is a tenderness and melody, and a simplicity of treatment, and a purity of language about many of his pieces that make them exceptionally pleasing. IN THE KIRKYARD. Hoo is it I see you sae aft sittin' there? And hoo is't, puir lassie, ye're greetin' sae sair ? Can ye wonder to see me whiles shedding a tear, When she was alive I could hardly dae wrang, The auntie I bide wi's no gude to me noo; When she rages and flytes my heart loups to my mou'; Nane to speak a kind word since my mither's awa'. She has bairns o' her ain, and when onything's wrang, There's naething but Jeannie, dae this and dae that; How daur you speak back; ye're sune learnin' to craw; A burden I'm ca'd; she gets nought for her pains, I maun wear their auld duds-I get naething that's braw, I neither can gang to the kirk nor the schule; Ilka chance that I get I come aye rinnin' here; But for that, on her grave I could lay mysel' doun, To set me asleep, ne'er to wauken ava, For in life I've nae joy since my mither's awa'. THE BEAUTIFUL SEA. O the sea, the beautiful sea! Home of the brave, the dauntless, and free; So harmless and tempting it seems to the eye The sea so limpid and pure to the eye, Of the old and the young, or all who deplore The loss of that bloom which nought else can restore; But mark a swift change. Ere the day's well begun |