A Handbook of Critical Approaches to LiteratureHarper & Row, 1966 - 238 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 17.
Pàgina 54
... lines postulate a series of extravagantly impossible situations , all of which are connected grammatically with the opening conditional lines , we can see that the speaker is no irresponsible romantic dreamer who would prefer to ...
... lines postulate a series of extravagantly impossible situations , all of which are connected grammatically with the opening conditional lines , we can see that the speaker is no irresponsible romantic dreamer who would prefer to ...
Pàgina 55
... lines , the tone ( atti- tude or feeling of the speaker as conveyed by the language and its artful arrangement ) seems to shift from the seemingly ex- pansive , genial , more conventional , exaggerated praise of the beloved female by ...
... lines , the tone ( atti- tude or feeling of the speaker as conveyed by the language and its artful arrangement ) seems to shift from the seemingly ex- pansive , genial , more conventional , exaggerated praise of the beloved female by ...
Pàgina 57
... lines ( notice that a perfectly natural reading of the line tells us where to place the beat or accent : " Had ' we but world ' enough ' and time " ) suggest precision by a lecturing speaker - a precision in which key words , simple as ...
... lines ( notice that a perfectly natural reading of the line tells us where to place the beat or accent : " Had ' we but world ' enough ' and time " ) suggest precision by a lecturing speaker - a precision in which key words , simple as ...
Continguts
TRADITIONAL APPROACHES | 1 |
TRADITIONAL APPROACHES TO MARVELLS | 10 |
TRADITIONAL APPROACHES TO Hamlet | 16 |
Copyright | |
No s’hi han mostrat 14 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
action American analysis appears approach archetypal become beginning called chapter characters classic Claudius complex concerned consider course criticism dark death devil drama dream effect Elizabethan evil example experience exponents fact Faith father fiction figure final follow forces forest Freudian given gives Hamlet hand Hawthorne hope Huck Huckleberry Finn human idea imagery images important interpretation journey kind King least lines literary literature living look meaning mind moral mother motif mystery myth nature night novel object pattern perhaps person play poem poetry possible present psychological questions reader reality reason river says seems seen sense sexual Shakespeare's short society speaker specific stanza story student suggest symbol theme theory thing thought tion traditional tragedy turn unconscious University village Young Goodman Brown