A Handbook of Critical Approaches to LiteratureHarper & Row, 1966 - 238 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 32.
Pàgina xii
... given approach . Moreover , one important by - product of our treatment of critical reading should be the student's recognition of the most suitable " ap- proach " for a given literary work . Chapter 1 considers the cluster of ...
... given approach . Moreover , one important by - product of our treatment of critical reading should be the student's recognition of the most suitable " ap- proach " for a given literary work . Chapter 1 considers the cluster of ...
Pàgina 191
... given object of literary art has its unique aesthetic experience ; the reader is no more at liberty to mar it with careless extensions than the author is free to do so with infelicitous inclusions . We must also remember to be eclectic ...
... given object of literary art has its unique aesthetic experience ; the reader is no more at liberty to mar it with careless extensions than the author is free to do so with infelicitous inclusions . We must also remember to be eclectic ...
Pàgina 231
... given work . See PARADOX , AMBIVALENCE , IRONY , and formalistic . THEME . The underlying idea , relatively abstract , which is given concrete expression by the literary work . THERMAL IMAGERY . See IMAGERY . THIRD - PERSON LIMITED ...
... given work . See PARADOX , AMBIVALENCE , IRONY , and formalistic . THEME . The underlying idea , relatively abstract , which is given concrete expression by the literary work . THERMAL IMAGERY . See IMAGERY . THIRD - PERSON LIMITED ...
Continguts
TRADITIONAL APPROACHES | 1 |
TRADITIONAL APPROACHES TO MARVELLS | 10 |
TRADITIONAL APPROACHES TO Hamlet | 16 |
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action American analysis appears approach archetypal become beginning called chapter characters classic Claudius complex concerned consider course criticism dark death devil drama dream effect Elizabethan evil example experience exponents fact Faith father fiction figure final follow forces forest Freudian given gives Hamlet hand Hawthorne hope Huck Huckleberry Finn human idea imagery images important interpretation journey kind King least lines literary literature living look meaning mind moral mother motif mystery myth nature night novel object pattern perhaps person play poem poetry possible present psychological questions reader reality reason river says seems seen sense sexual Shakespeare's short society speaker specific stanza story student suggest symbol theme theory thing thought tion traditional tragedy turn unconscious University village Young Goodman Brown