A Handbook of Critical Approaches to LiteratureHarper & Row, 1966 - 238 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 22.
Pàgina 75
... drama is in us , and we are the drama . We are impatient to play it . Our inner passion drives us on to this " ( Act I ) . Such a necessary connection between the action of a play and the moti- vation of its characters - what they say ...
... drama is in us , and we are the drama . We are impatient to play it . Our inner passion drives us on to this " ( Act I ) . Such a necessary connection between the action of a play and the moti- vation of its characters - what they say ...
Pàgina 175
... drama : they themselves produce a " drama . " In at least six separate instances - chapters 22 , 24 , 28 , 31 ( twice ) , and 33 — we are reminded of the very name of their spectacle , " The Royal Nonesuch " ; by it Twain seems to ...
... drama : they themselves produce a " drama . " In at least six separate instances - chapters 22 , 24 , 28 , 31 ( twice ) , and 33 — we are reminded of the very name of their spectacle , " The Royal Nonesuch " ; by it Twain seems to ...
Pàgina 196
... drama . Francis Fergusson , who may be called a myth critic , also has stressed an Aristotelian objectiv- ity ( imitation ) in his attempts to penetrate to the nature of drama . GENERIC The brief mentions made of genres in Chapter 1 ...
... drama . Francis Fergusson , who may be called a myth critic , also has stressed an Aristotelian objectiv- ity ( imitation ) in his attempts to penetrate to the nature of drama . GENERIC The brief mentions made of genres in Chapter 1 ...
Continguts
TRADITIONAL APPROACHES | 1 |
TRADITIONAL APPROACHES TO MARVELLS | 10 |
TRADITIONAL APPROACHES TO Hamlet | 16 |
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Frases i termes més freqüents
action American analysis appears approach archetypal become beginning called chapter characters classic Claudius complex concerned consider course criticism dark death devil drama dream effect Elizabethan evil example experience exponents fact Faith father fiction figure final follow forces forest Freudian given gives Hamlet hand Hawthorne hope Huck Huckleberry Finn human idea imagery images important interpretation journey kind King least lines literary literature living look meaning mind moral mother motif mystery myth nature night novel object pattern perhaps person play poem poetry possible present psychological questions reader reality reason river says seems seen sense sexual Shakespeare's short society speaker specific stanza story student suggest symbol theme theory thing thought tion traditional tragedy turn unconscious University village Young Goodman Brown