A Handbook of Critical Approaches to LiteratureHarper & Row, 1966 - 238 pàgines |
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Pàgina 33
... called this " an innovation , a new discovery in the English language , " an entire book written in the natural prose rhythms of conversation . This linguistic innovation is certainly one of the features to which Ernest Hemingway ...
... called this " an innovation , a new discovery in the English language , " an entire book written in the natural prose rhythms of conversation . This linguistic innovation is certainly one of the features to which Ernest Hemingway ...
Pàgina 152
... called motives or motifs ; the latter spelling is preferred in this chapter to avoid confusion with motivations in characters , for there is no necessary relationship between motifs as the term is used here and motives for behavior . On ...
... called motives or motifs ; the latter spelling is preferred in this chapter to avoid confusion with motivations in characters , for there is no necessary relationship between motifs as the term is used here and motives for behavior . On ...
Pàgina 223
... called the CATAS- TROPHE . DIALECTIC . In formalistic criticism , a pattern of opposition between two attitudes , or character traits , or systems of ideas . Like PARADOX and TENSION , dialectic suggests a pull of opposed forces which ...
... called the CATAS- TROPHE . DIALECTIC . In formalistic criticism , a pattern of opposition between two attitudes , or character traits , or systems of ideas . Like PARADOX and TENSION , dialectic suggests a pull of opposed forces which ...
Continguts
TRADITIONAL APPROACHES | 1 |
TRADITIONAL APPROACHES TO MARVELLS | 10 |
TRADITIONAL APPROACHES TO Hamlet | 16 |
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action American analysis appears approach archetypal become beginning called chapter characters classic Claudius complex concerned consider course criticism dark death devil drama dream effect Elizabethan evil example experience exponents fact Faith father fiction figure final follow forces forest Freudian given gives Hamlet hand Hawthorne hope Huck Huckleberry Finn human idea imagery images important interpretation journey kind King least lines literary literature living look meaning mind moral mother motif mystery myth nature night novel object pattern perhaps person play poem poetry possible present psychological questions reader reality reason river says seems seen sense sexual Shakespeare's short society speaker specific stanza story student suggest symbol theme theory thing thought tion traditional tragedy turn unconscious University village Young Goodman Brown