Melville & WomenElizabeth A. Schultz, Haskell S. Springer Kent State University Press, 2006 - 287 pàgines A comprehensive examination of the significance of women in Melville's life and work The twelve new essays in this collection extend the interest in Melville and women evident in recent scholarship, biography, art, and drama. Throughout his life, Melville lived surrounded by women, and he wove women's experiences into most of his literary work, early and late. Treating his poetry and prose and using a variety of theoretical approaches from the biographical to the ecocritical, the essays focus not only on Melville's female characters but also on gender roles, colonialism, intertextuality, legal issues, and concepts of the female and feminine. Several of them demonstrate his sensitive response to the work of nineteenth-century women authors. Collectively, they open new understandings of a writer too often seen almost wholly in masculine contexts. The comprehensive introduction by the editors surveys women in Melville's writings and situates the essays historically by relating them to scholarship concerning women in Melville's work as well as to Melville scholarship written by women. The essays are complemented by an extensive bibliography, portraits, and a portfolio of paintings created by contemporary women artists in response to Moby-Dick. |
Des de l'interior del llibre
Resultats 1 - 3 de 15.
Pàgina 214
... Hunilla's silences , proves unable to tell the story of the female South American protagonist in full detail . Although the relationship of women and silence has a long history , Hunilla's story is unique in linking woman , silence ...
... Hunilla's silences , proves unable to tell the story of the female South American protagonist in full detail . Although the relationship of women and silence has a long history , Hunilla's story is unique in linking woman , silence ...
Pàgina 221
... Hunilla , herself a representative of the crossing of cultures and races , gazes on a cross , part of the harness of the ass on which she is riding . The cross may be at the same time Hunilla herself , and the Christian cross , a source ...
... Hunilla , herself a representative of the crossing of cultures and races , gazes on a cross , part of the harness of the ass on which she is riding . The cross may be at the same time Hunilla herself , and the Christian cross , a source ...
Pàgina 223
... Hunilla and perhaps rescues the reader from hearing her full anguish . Both a colonial and an imperial sight , Hunilla reflects the narrator's narcissistic observations , and her voice is the voice of the other in him , the colonial ...
... Hunilla and perhaps rescues the reader from hearing her full anguish . Both a colonial and an imperial sight , Hunilla reflects the narrator's narcissistic observations , and her voice is the voice of the other in him , the colonial ...
Continguts
Melville Writing WomenWomen Writing Melville | 3 |
Women Reading MelvilleMelville Reading Women | 41 |
Melville Reading Sedgwick | 60 |
Copyright | |
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American Literature antebellum appears argues authorship Bartleby Bartleby's beauty Benito Cereno Berkshire Billy Budd Biography Catharine Maria Sedgwick Chapter character Chola Circassian claims colonial Confidence-Man creative critical cultural death describes domestic Elizabeth Shaw Encantadas essay Fayaway female feminine feminist fiction Gansevoort gender Glendinning Goneril gothic Hamilton Hautia Hawthorne Herman Melville human Hunilla husband imagination Indian Isabel Ishmael island Leyda literary Lizzie Lucy Mackenzie male Mardi Marianna Marquesan Marquesas Islands masculine maternal Melville Society Melville's narrator Melville's writings missionary Moby-Dick moral mother narrative narrator's nature New-England Tale nineteenth-century novel Omoo Pacific paradise Parker Philip Spencer Piazza Piazza Tales picturesque Pierre Pierre's Poems queen Queequeg Queequeg's readers reading relationship Ringman Robertson-Lorant romance sailors scene Sealts Sedgwick seems sentimental sexual ship silence Sketch Eighth social Somers Spencer story suggests symbolic Tahiti tion Typee Uncle Christopher Uncle Christopher's vision whale White-Jacket wife woman women Yillah York