Bridges for the Young: The Fiction of Katherine PatersonM. Sarah Smedman, Joel Chaston Children's Literature Association and The Scarecrow Press, 2003 - 330 pàgines Children's writer Paterson is the winner of the Newbery prize for her works Bridge to Terabithia and Jacob Have I Loved. Sixteen essays, presented by Smedman (children's literature, Minnesota State U. at Moorhead) and Chaston (English, Southwest Missouri State U.), critically examine her works, discussing major themes including her commitment to Christianity, feminism, and ideas on peace. Treatments of all her major works of fiction and nonfiction are included. Also included is an essay in which Patterson reflects on her own writing, as well as a bibliography of her works Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com). |
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Pàgina 20
... narrator . It is generally believed that young readers prefer impersonal narration , which can be seen in the fact that most adaptations of adult novels into children's books have involved , among other things , a transposition from ...
... narrator . It is generally believed that young readers prefer impersonal narration , which can be seen in the fact that most adaptations of adult novels into children's books have involved , among other things , a transposition from ...
Pàgina 21
... narrator is rendering her own story , in a narrative mode sometimes called " memory monologue , " she is highly unreli- able . Louise the narrator tells us exactly as much as she chooses to ; she may omit facts , pass wrong judgments ...
... narrator is rendering her own story , in a narrative mode sometimes called " memory monologue , " she is highly unreli- able . Louise the narrator tells us exactly as much as she chooses to ; she may omit facts , pass wrong judgments ...
Pàgina 22
... narrator tells the story “ as if " seen through the character's eyes . Zero focalization corresponds more or less to the traditional term of omniscience : the narrator knows more than any character . With external focalization , readers ...
... narrator tells the story “ as if " seen through the character's eyes . Zero focalization corresponds more or less to the traditional term of omniscience : the narrator knows more than any character . With external focalization , readers ...
Continguts
Bridges to Literary Worlds Intertextuality and Literacy | 6 |
Narrative Strategies in Katherine | 18 |
Feminist Dialogics in Katherine Patersons Novels | 41 |
Copyright | |
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