Speech for the StageTheatre Arts Books, 1980 - 254 pàgines From its original publication, thousands of actors have used this classic text to develop and refine their voice and speech. Evangeline Machlin includes warm-up routines for the voice but initially focuses on the importance of listening. She also discusses such important elements as relaxation, phonetics, articulation, resonance, pitch, rate of speech and stress. In addition, there are chapters on dialects, on reading aloud, sight reading, auditioning and performance. |
Des de l'interior del llibre
Resultats 1 - 3 de 20.
Pàgina 149
... Look on her , look , her lips , - Look there , look there ! ... Hamlet , II , ii , as read by Richard 1 149.
... Look on her , look , her lips , - Look there , look there ! ... Hamlet , II , ii , as read by Richard 1 149.
Pàgina 202
... look at the camera , so that the audience may experi- ence a direct eye contact with them . They are helped out by the teleprompter , which runs along at eye level , pre- senting in a moving sequence the words they must speak , thus ...
... look at the camera , so that the audience may experi- ence a direct eye contact with them . They are helped out by the teleprompter , which runs along at eye level , pre- senting in a moving sequence the words they must speak , thus ...
Pàgina 204
... look and catch your own eyes at least once on every line . If necessary , drag your eyes away from the page and speak to your image or to your listeners as long as the words in your mind last . Then calmly look back at the page in ...
... look and catch your own eyes at least once on every line . If necessary , drag your eyes away from the page and speak to your image or to your listeners as long as the words in your mind last . Then calmly look back at the page in ...
Continguts
Speech Appreciation fund | 1 |
Speech Analysis | 10 |
Projecting Your Speech | 17 |
Copyright | |
No s’hi han mostrat 12 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
accent actor ah ah ah American arms articulation audience begin breath control British Caed TC Caed TRS Chapter consonants continue Correction dialect diaphragm diphthongs Edward Albee exercises exhalation eyes fault feel full voice GERARD MANLEY HOPKINS glottis GROUP Hamlet hear hoarseness inflection inhale John Barrymore John Gielgud larynx lines lips Listen lungs mah mah mah mouth muscles nasal nasal consonants nose octave OTHELLO Paul Scofield pause phonetic transcription phrase pitch change pitch transcription play poem poetry practice projection pronunciation read aloud recording relaxation released Repeat resonance role scene schwa scream sentence sequence Shakespeare silence singing slowly soft palate Sound symbol sound waves speak speech pitch speech techniques speech tone speed spelling spoken stage stress syllable symbol theatre thou throat tion tongue Tongue-tip trachea transcribed vibrating vocal cords vocal tract Voiceless vowel words yawn