Characters of Shakespeare's PlaysC. Templeman, 1838 - 345 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 36.
Pàgina xv
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
Pàgina xx
... striking differences ; their classes , not their degrees . He was a man of strong com- mon sense and practical wisdom , rather than of genius and feeling . He retained the re- gular , habitual impressions of actual objects , but he ...
... striking differences ; their classes , not their degrees . He was a man of strong com- mon sense and practical wisdom , rather than of genius and feeling . He retained the re- gular , habitual impressions of actual objects , but he ...
Pàgina 1
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but ...
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but ...
Pàgina 2
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom overspreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom overspreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
Pàgina 9
... striking and powerful contrasts in which Shakspeare abounds could not escape observa- tion ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character and to maintain a continuity of feeling ...
... striking and powerful contrasts in which Shakspeare abounds could not escape observa- tion ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character and to maintain a continuity of feeling ...
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Frases i termes més freqüents
admirable affections Antony Apemantus appear Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic excited eyes Falstaff fancy fear feeling fool fortune genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour human Iago imagination Juliet king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony mind moral nature never night noble Othello passages passion PERDITA person pity play pleasure poet poetry prince racter refined revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's sion SIR TOBY sleep soul speak speech spirit stage story sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words Yorkshire Tragedy youth