Characters of Shakespeare's PlaysC. Templeman, 1838 - 345 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 43.
Pàgina xviii
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakspeare , who " alone is high fantastical . " Let those who have a prejudice ...
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakspeare , who " alone is high fantastical . " Let those who have a prejudice ...
Pàgina xx
... sense and practical wisdom , rather than of genius and feeling . He retained the re- gular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he ...
... sense and practical wisdom , rather than of genius and feeling . He retained the re- gular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he ...
Pàgina xxii
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description of a ruin in The Mourning Bride , would have answered Johnson's ...
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description of a ruin in The Mourning Bride , would have answered Johnson's ...
Pàgina xxiii
... sense of delight by something still more beautiful , and no one can feel this passionate love of nature with- out quick natural sensibility . To a mere literal and formal apprehension , the inimita- bly characteristic epithet " violets ...
... sense of delight by something still more beautiful , and no one can feel this passionate love of nature with- out quick natural sensibility . To a mere literal and formal apprehension , the inimita- bly characteristic epithet " violets ...
Pàgina 3
... sense of weakness leaning on the strength of its affections for support , so well as Shakspeare- no one ever so well painted natural tenderness free from affectation and disguise - no one else ever so well showed how delicacy and ...
... sense of weakness leaning on the strength of its affections for support , so well as Shakspeare- no one ever so well painted natural tenderness free from affectation and disguise - no one else ever so well showed how delicacy and ...
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Frases i termes més freqüents
admirable affections Antony Apemantus appear Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic excited eyes Falstaff fancy fear feeling fool fortune genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour human Iago imagination Juliet king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony mind moral nature never night noble Othello passages passion PERDITA person pity play pleasure poet poetry prince racter refined revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's sion SIR TOBY sleep soul speak speech spirit stage story sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words Yorkshire Tragedy youth